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The juxtapositions and counterpoints in Weems’ work, and in the gallery installations, are remarkable. One wall is nearly filled with photographs of her family, a series begun in the 1970s to counteract reports that the black family was deteriorating. But then, just to the side is an image from her “Ain’t Jokin’ ” series: the stereotyped Aunt Jemima and Uncle Moses salt and pepper shakers on a kitchen counter. There is both anger and wit in Weems’ “Not Manet’s Type” series, with her image, like a model ready to pose, reflected in a dressing-table mirror. Manet, Picasso and de Kooning would have rejected her, or, she notes, she would have rejected them.

However, in a statement that reaches far beyond the artist-and-model realm, Weems declares, “I knew not from memory but from hope that there were other models to live by.”, unique ballet shoe bow, unicorn Weems’ projects since the 1990s have often given her vision wide-ranging and international scope, These begin with the “Sea Island” series, from 1991 to 1992, her exploration of the unique Gullah culture in these islands off the coasts of Georgia and South Carolina, where isolated black residents have maintained many aspects of African culture..

There are somber images of a cemetery as well as an image of a community store that recalls Walker Evans’ documentary photographs with its myriad hand-lettered signs for oxtails, turkey wings and “old-fashioned daisy cheese.”. Always more than a photographer, Weems adds a set of plates, looking like a family treasure, printed with poetic discoveries from her journey into Gullah culture. “Went Looking For Africa,” begins one verse, “and found Africa … in a wrought iron gate … the design of … the master house … in the shape of a … sweet-grass basket … in a round … smoke house.”.

A year later, Weems did journey to Africa, starting with the slave coast of western Ghana and Senegal, Her images of now-empty slaveholding facilities are haunting, Like many of her photographs, they ask viewers to fill in the empty spaces here with the men, women and children trapped between capture and the slave ships to the American South, A decade later, Weems’ “Louisiana Project” follows the course back to America, where she explores, in part, the legacy of slavery in the “New South.” In this series, she steps into the scene wearing what might have been a 19th-century housedress, She’s photographed in the shade of a tree, looking at a big plantation house in the middle distance, We can see this black woman now and unique ballet shoe bow, unicorn imagine her then..

The exhibit closes with several big images from Weems’ “Roaming” series from 2006, when she was in residence at the American Academy in Rome. She takes her place in these settings wearing a long black dress, facing away from the camera. “This woman can stand in for me and for you,” Weems has said. “She leads you into history. She’s a witness and a guide.”. Weems’ “muse” takes viewers to places familiar and unfamiliar, and her presence as an African-American woman gives a twist to history. There are several images of her facing pseudoclassic architecture from Mussolini’s era, recalling the fascist leader’s quest to “restore” the Italian Empire. Weems, and the viewer, can’t help but be reminded of Mussolini’s brutal invasion of Ethiopia in 1935, where hundreds of thousands of Ethiopians died.

Last year, Kathy DeBernardi, class of 1977, learned that Arroyo’s cheer squad was going to be shut down, “That’s just wrong, I said I unique ballet shoe bow, unicorn would do it,” she said, “But I knew I couldn’t do any of the choreography done today.”, She contacted San Lorenzo High cheerleading coaches who put her in touch with Adrianna Perez, class of 2005, a former cheerleader and choreographer, The two hit it off and have been coaching the Arroyo High team since, The four cheerleading coaches at the two schools are all graduates of San Lorenzo High, “We help each other out,” DeBernardi said..

That camaraderie extends to the students as well. On Oct. 26, the 12 members of the Arroyo squad and the 20 San Lorenzo cheerleaders will perform a dance routine during the schools’ annual big game, dubbed the Helmet Game. “The girls get along,” DeBernardi said. “Leave the rivalry to the boys on the football field.”. The Helmet Game will be played on Arroyo’s new football field. All the fields at both schools, including softball, baseball and soccer, are being renovated, said Lowell Shira, assistant superintendent. Not all the work is done, but the football fields were ready in time for this season.

The $6 million renovation at Arroyo is being paid for with funds from Measure O, an $83 million bond that voters passed in 2008, Immediately after the game, which starts at 1:30 p.m., the Arroyo cheerleaders will host a spaghetti feed fundraiser in the school’s cafeteria from 4:30 to 8 p.m, Tickets are $10 in advance, $12 at the door, Meals can be eaten there or taken out, Proceeds will go toward the cost of the team’s uniforms, Tickets may be purchased at Arroyo High School, 15701 Lorenzo Ave., or by contacting DeBernardi at thedebos@pacbell.net or Perez at 510-461-8001, Donations unique ballet shoe bow, unicorn of food for the fundraiser also are being accepted..

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